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1608 · 384 pages · Summary updated 24 October 2026
King Lear is Shakespeare's tragedy of an old king who splits his kingdom between the daughters who flatter him and banishes the one who loves him. For readers who want both plots act by act, the themes and the ending.
King Lear, old and vain, divides Britain between his daughters Goneril and Regan after they flatter him, and disowns his youngest, Cordelia, when she refuses to. Once they hold power, the elder daughters strip him of his knights and shut him out in a storm, where he goes mad. In a parallel plot, the Earl of Gloucester trusts his scheming son Edmund, outlaws his loyal son Edgar, and is blinded for helping the king. Shakespeare asks what people owe their parents, what a human being is without power, and whether the gods care about justice at all.
Lear asks his daughters to measure their love in speeches. Goneril and Regan give him grand words and turn on him within weeks. Cordelia says she loves him according to her bond, no more and no less, and is disowned. Shakespeare's point is that public declarations are cheap, and that the person who refuses to perform may be the one who means it. The example is Kent, who is banished for speaking plainly and returns in disguise to serve the king anyway.
The Gloucester plot mirrors the Lear plot. Each father trusts the child who flatters him and casts out the one who loves him. Lear misreads Cordelia's honesty as coldness. Gloucester believes a forged letter against Edgar without asking him. Shakespeare makes the blindness literal when Cornwall puts out Gloucester's eyes. Only then does Gloucester say he stumbled when he saw. Both fathers learn the truth through suffering, and both learn it too late.
Edmund calls Nature his goddess and means the law of the strong: why should a bastard accept less than his brother? Lear means the natural bonds of family and duty, and calls his elder daughters unnatural hags. The play tests both meanings. The characters who follow Edmund's nature, such as Goneril, Regan and Cornwall, win power quickly and destroy each other. Shakespeare suggests that human society depends on bonds that nature alone does not enforce.
Stripped of his knights and shut out in the storm, Lear meets Poor Tom, a naked beggar. He sees that without clothes and rank, a man is only a poor, bare, forked animal. For the first time he thinks of the poor wretches he ignored as king. Shakespeare uses the fall from power to show what power hid. The example is Lear's prayer in the storm, which is the first time he puts anyone else's suffering ahead of his own.
The Fool is the only one who can tell Lear what he has done. In jokes and riddles, he says Lear made his daughters his mothers and gave away his crown. He adds that Lear should not have grown old before he grew wise. Kent and Cordelia speak plainly and are banished, but the Fool survives because his truth is disguised as nonsense. Shakespeare shows that honest advice reaches the powerful only when it comes in a form they can dismiss.
Lear and Gloucester both learn compassion, humility and the truth about their children through suffering. Lear wakes in Cordelia's care and calls himself a foolish, fond old man. Gloucester accepts that he must endure his life until it ends. Edgar draws the lesson that ripeness is all. Shakespeare does not say the suffering was worth it. The learning comes, but it comes to men who have already lost almost everything they could have used it for.
Edmund repents too late. His order to kill Cordelia is carried out before the messengers arrive, and Lear enters with her body in his arms. Albany prays that the gods defend her the moment before. Shakespeare removes the happy ending his sources offered, where Cordelia lives. The play ends with no sign of divine justice: the good and the cruel die alike. Edgar's last lines ask only that we say what we feel, not what we ought to say.
“Nothing will come of nothing.”
“How sharper than a serpent's tooth it is to have a thankless child!”
“As flies to wanton boys are we to th' gods; they kill us for their sport.”
King Lear is William Shakespeare's tragedy about an old king who divides his kingdom among his daughters according to how much they say they love him, and loses everything as a result. Shakespeare wrote it around 1605 or 1606. The first recorded performance was at court on December 26, 1606. It survives in two different texts: a quarto printed in 1608 and the First Folio of 1623, which cuts about 300 lines and adds about 100. Most modern editions combine them.
The story of Lear and his three daughters was an old British legend, retold in Holinshed's Chronicles and in an earlier play, King Leir. Shakespeare adds a second plot from Philip Sidney's Arcadia: the Earl of Gloucester, who trusts his scheming illegitimate son and turns against his loyal one. The two plots mirror each other. Two fathers misjudge their children, both are cast out, and both learn the truth through suffering.
The main characters:
The main themes are sight and blindness, nature and what is natural, the need for love against the claims of power, madness, and justice in a world where the gods seem indifferent.
Lear announces that he will divide Britain among his three daughters and give the largest share to the one who loves him most. Goneril says she loves him more than eyesight, space and liberty. Regan says she loves him even more than that. Cordelia, the youngest and Lear's favorite, refuses to compete. Asked what she can say to win a richer third, she answers, "Nothing." Lear warns her that nothing will come of nothing. She says she loves him as a daughter should, no more and no less, and that her sisters cannot love only their father if they have husbands.
Lear disowns her in a rage. The Earl of Kent protests and is banished. The Duke of Burgundy withdraws his offer for Cordelia now that she has no dowry, but the King of France marries her for her own worth. Lear divides her share between Goneril and Regan. He will keep the title of king and a hundred knights, and he will live with each daughter in turn.
In the second plot, Edmund, Gloucester's illegitimate son, delivers a soliloquy to Nature, his goddess. He is as good as any legitimate son, he says, and he will take his brother Edgar's land. He forges a letter in which Edgar seems to plot against their father. Gloucester believes it at once.
Kent returns in disguise and enters Lear's service. Lear is staying with Goneril, who complains that his knights are rowdy and tells her steward, Oswald, to treat him coldly. The Fool mocks Lear for giving his power away. Goneril demands that he cut his train. Lear curses her with a terrible wish that she be childless, cries that a thankless child is sharper than a serpent's tooth, and leaves for Regan's house.
Edmund tricks Edgar into running away, then cuts his own arm and tells Gloucester that Edgar attacked him. Gloucester declares Edgar an outlaw and makes Edmund his heir. Regan and Cornwall arrive at Gloucester's castle and take Edmund into their service.
Kent, carrying Lear's message, meets Oswald and beats him. Cornwall puts Kent in the stocks, an insult to the king whose messenger he is. Edgar, hunted, disguises himself as Poor Tom, a naked, raving beggar.
Lear arrives and finds his servant in the stocks. Regan refuses to see him at first. Goneril joins her, and the two sisters together strip him of his knights: fifty, then twenty-five, then ten, then five, then one. Regan asks what need he has of even one. Lear answers that even beggars have more than they need, and that if nature needs only what is necessary, a human life is as cheap as a beast's. Fearing he will go mad, he walks out into a rising storm. The sisters order the doors shut.
On the open heath Lear rages at the storm and calls on the winds to crack their cheeks and flatten the world. Kent finds him with the Fool and leads him toward a hovel. Lear begins to think of others for the first time. He prays for the poor naked wretches who must endure such weather, and admits he took too little care of them as king.
Inside the hovel they find Poor Tom. Lear sees in this naked, shivering man the truth about humanity: without clothes, rank and comfort, a man is only a poor, bare, forked animal. Lear starts to tear off his own clothes.
Gloucester tells Edmund that he plans to help Lear in secret and that a French army has landed to restore him. Edmund reports this to Cornwall. Gloucester finds Lear and the others and leads them to a farmhouse, where Lear, now mad, holds a mock trial of Goneril and Regan, with a stool standing in for Goneril and the beggar and the Fool as judges. Gloucester warns that there is a plot against the king's life and sends Lear in a cart to Dover, where Cordelia waits.
Cornwall and Regan capture Gloucester in his own castle. They tie him to a chair. Cornwall gouges out one of his eyes. A servant, unable to bear it, draws his sword and wounds Cornwall, and Regan kills the servant from behind. Cornwall puts out the other eye. Gloucester calls for Edmund to avenge him, and Regan tells him that Edmund betrayed him. Gloucester understands, too late, that Edgar was innocent. They throw him out to smell his way to Dover.
Edgar, still disguised as Poor Tom, meets his blind father, who does not recognize him. Gloucester says that as flies are to wanton boys, so people are to the gods: they kill us for their sport. He asks the beggar to lead him to a high cliff at Dover.
Goneril and Edmund are drawn to each other. Albany, her husband, has turned against her. He calls her and her sister tigers, not daughters, and learns of Gloucester's blinding. Word comes that Cornwall has died of his wound. Regan, now a widow, also wants Edmund.
Cordelia, in the French camp near Dover, hears that her father wanders the fields crowned with weeds. She sends soldiers to find him.
Edgar leads Gloucester to flat ground and tells him he stands at the edge of the cliff. Gloucester kneels, blesses Edgar, and falls forward. Edgar, now speaking as a stranger at the bottom, tells him he survived a great fall by a miracle. Gloucester resolves to bear his suffering until it ends on its own.
The mad Lear appears, decked in flowers. He talks of justice, sex and power, and says a dog obeyed in office is the great image of authority. He recognizes Gloucester and tells him that when we are born, we cry that we have come to this great stage of fools. Oswald arrives and tries to kill Gloucester for the reward. Edgar kills Oswald and finds on him a letter from Goneril asking Edmund to murder Albany.
Lear is brought to Cordelia's tent, asleep. When he wakes, he thinks he is in hell and she is a spirit in heaven. He calls himself a very foolish, fond old man and says she has cause to hate him. She answers that she has no cause.
This section reveals the ending.
The British forces under Edmund and Albany defeat the French. Lear and Cordelia are taken prisoner. Lear is almost happy: in prison they will sing like birds in a cage. Edmund sends a captain with a secret order to kill them both.
Albany arrests Edmund for treason, using the letter Edgar gave him. A masked knight answers the challenge, fights Edmund and wounds him fatally. The knight is Edgar. He tells how he cared for his father and revealed himself only on the way here, and how Gloucester's heart burst between joy and grief. News arrives that Goneril has poisoned Regan and then stabbed herself. Edmund, dying, sees both sisters' bodies and says that Edmund was beloved after all. He tries to do one good thing and reveals the order to kill Lear and Cordelia. Messengers run to stop it.
They are too late. Lear enters carrying Cordelia's body. She has been hanged. He howls. He killed the slave who hanged her, but he cannot bring her back. Kent reveals himself, and Lear hardly understands. Lear says she will come no more, never, five times. He asks someone to undo a button, thinks he sees her lips move, and dies.
Albany offers the kingdom to Kent and Edgar. Kent refuses: his master calls him, and he must follow. Edgar speaks the last lines. They must say what they feel, not what they ought to say. The oldest have suffered most, and the young will never see so much nor live so long.
Lear, Cordelia, Gloucester, Goneril, Regan, Edmund, Cornwall and Oswald are dead. The Fool vanishes after Act 3 without explanation.
The ending has always been the main debate. In 1681 Nahum Tate rewrote the play so that Cordelia lives and marries Edgar, and his version held the stage for about 150 years. Samuel Johnson said he could not bear to reread the last scene. A. C. Bradley read Lear's final moments as redemption, since he may die believing Cordelia breathes. Jan Kott and others in the 20th century read the play as close to Beckett: a world without justice, where suffering means nothing. Scholars also debate the two texts, and many now treat the quarto and the Folio as two versions of the play rather than one damaged original.
Read it if you are studying the play or want the two plots laid out act by act. It suits anyone who has dealt with aging parents, family inheritance or the question of what we owe each other when power runs out.
12 cards
Question 1 of 5
What does Cordelia say when asked to describe her love?
The French army loses, and Lear and Cordelia are captured. Edmund orders their deaths, then repents too late. Cordelia is hanged. Lear carries her body on stage and dies grieving over her. Goneril poisons Regan and kills herself, Edgar kills Edmund in a duel, and Gloucester dies of grief and joy.
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